Author: Mark (Page 57 of 90)

The long-awaited, big historical drama MODERN BOY opened in the No. 1 spot. But it was not a big opening — just 330,000 admissions over the weekend (400,000 since it opened last Thursday), and 2.72 billion won ($2.06 million, thanks to the lousy exchange rate).

MAMMA MIA finally overtook THE DIVINE WEAPON, with about 3.55 million admissions. Actually, WEAPON is still slightly ahead with admissions, even though MAMMA MIA is winning at the box office.

GO-GO 70’S had a bit of a disappointing opening in third, with just $1.13 million over the weekend. Very sad to think that more people tried out MODERN BOY. With any luck, GO-GO will win out in the long run.

BABYLON AD had an even more tepid opening, with less than $800,000 since it opened.

Sad to see MY DEAR ENEMY drop to No. 9 so quickly. Would have been nice to see it get better word of mouth.

(Source: KOBIS – Figures represent 98% of nationwide box office)

After three weeks of being the bridesmaid, MAMMI MIA was at last the bride last weekend. Or, to be less annoyingly cute, MAMMA MIA took over the top spot in the box office after three weeks of landing in second, behind THE DIVINE WEAPON. Pretty amazing staying power for the ABBA tribute film and yet another sign of the power of the musical in Korea. Just imagine how well the film might had done if Pierce Brosnan could sing?

Just 60,000 admissions behind THE DIVINE WEAPON, could MAMMA MIA end up being the more successful film by the time their runs are over? Oh well, I guess the horserace really does not matter much… but still, it has been fun to watch.

As for new films, TRUCK, HELLBOY 2 and MY DEAR ENEMY all opened this weekend, with TRUCK doing the best. Not surprising HELLBOY 2 did not do so well, as the theater I saw it in was pretty much empty. Still, it did much better than the original HELLBOY, which opened in seventh with just $250,000, and dropped out of the top 10 less than two weeks later.

(Source: KOBIS – Figures represent 98% of nationwide box office)

Plenty of interesting looking Korean films at the moment, but I am going to try to catch them at PIFF, I think. If I have any strong opinions about them, I will try write about them soon.

Another neck-and-neck weekend for THE DIVINE WEAPON and MAMMA MIA!, with WEAPON winning by just 12,000 admissions and only $10,000 (I guess WEAPON sold more student tickets, giving MAMMA MIA a revenue advantage). After three weeks, both films are doing quite well, both on the verge of zipping past the 3 million attendance mark.

Similarly, OUR ENGLISH TEACHER beat THE MIRROR by attendance, but since I rank by revenue, THE MIRROR came out on top. THE MIRROR is, of course, the Hollywood remake of that goofy Korean horror film INTO THE MIRROR.

I wonder how HELLBOY 2 will do in Korea. I saw it last night and the theater was just about empty.

Johnny To and Wai Ka-fai’s violent cop thriller MAD DETECTIVE opened in 15th, so did not make this chart. Just $15,000 on 8 screens.

(Source: KOBIS – Figures represent 98% of nationwide box office)

Much like last weekend, THE DIVINE WEAPON and MAMMA MIA! fought neck-and-neck for the top spot at the box office. And just like last weekend, THE DIVINE WEAPON won (although for some strange reason, Variety and Hollywood Reporter box office stories claimed that MAMMA MIA won. But not true).

FINAL CUT, the movie-within-a-movie tale of gangsters in the film business, had an okay opening, landing in third. Kim Soo-ro’s latest comedy was fourth.

Two Japanese films in the top 10 — 20TH CENTURY BOYS in sixth and BOYS OVER FLOWERS in seventh.

Looks like THE DARK KNIGHT is pretty much finished. But it did crawl past 4 million admissions, for a solid showing (although far, far from the records it set in North America).

WALL-E fell out of the top 10 this week, coming in at 11th. WALL-E’s run in the theaters is nearly finished, but at least the film topped 1 million admissions. Would be a crime for a film that good to have done anything less.

(Source: KOBIS – Figures represent 98% of nationwide box office)

I was pleasantly surprised a couple of nights ago when I suddenly started to see a flurry of ads on TV for HELLBOY 2. I was getting worried the film might not be released in Korea.

Anyhow, here is a little list of some notable films coming out in the next couple of months:
Sept. 18
– Mad Detective

Sept. 25
– Hellboy 2
– My Dear Enemy (the new Jeon Do-yeon film)

Oct. 2
– Burn After Reading
– Gogo 70s
– Modern Boy

Oct. 8
– Dream (the new Kim Ki-duk film)

Oct. 16
– Sagwa (will the three-year-old film finally see the light of day?)

Oct. 23
– Body of Lies

Nov. 5
– Quantum of Solace

Btw, I am really curious about a lot of the coming Korean films. MY DEAR ENEMY is the latest by Lee Yoon-ki, who directed the much praised THIS CHARMING GIRL and the absolutely lousy LOVE TALK (and AD-LIB NIGHT, but I did not see that). So I consider MY DEAR ENEMY to be something of a tie-breaker. In ENEMY, Jeon Do-yeon plays a jobless, broke 30-year-old who tries to collect some money from an ex-boyfriend. But he is broke, too, so together they meet up with his various ex-girlfriends and try to get money from them. Intriguing set up and Jeon looks great in the trailer.

Why MODERN BOY and GO-GO 70’S are being released head-to-head, I have no idea. They are both looks back at Korea’s past — MODERN BOY at the 1930s and GO-GO 70’S at the 1970s (obviously).

I was really looking forward to MODERN BOY when I first saw some still images in the spring. Plus I quite like its director Song Hae-sung (FAILAN) Chung Ji-woo (HAPPY END). However, advanced word I heard from the film was not good, which is allegedly why the film’s release was delayed five months. Regardless, I think the trailer for MODERN BOY looks pretty promising — great cgi of Seoul from the 1930s, great clothes and production design. I still have hope for this film.

The trailer for GO-GO 70’S does not inspire confidence. The music sounds way more like Korea’s 1980s music than 1970s. And the clothes and concert scene looks like a hyperactive cabaret. Very, very dubious.

As for SAGWA, I saw it at the Tokyo Filmex in 2005 and quite enjoyed it. Not a great film, but definitely worth a watch. Moon So-ri is great, as always. No idea why it took Chungeorahm so long to get it into the theaters.