Books, blog and other blather

Author: Mark (Page 79 of 90)

Yongsan Crackdown?

Had a bit of a surprise when I went to Yongsan Electronics Market today. When I walked down the main road, where all the pirate DVD vendors are, I discovered a distinct lack of pirate vendors. Instead, I found this:

(Sorry for the crappy quality… I only had my mobile phone camera with me)

There were no vendors at all on the street. Not anyone selling anything. Instead, they were playing that familiar Korean protest music and sitting on aluminum foil mats, protesting.

From what I can gather, a private company, Najin Industries, has taken control of the street vendor racket in Yongsan, and has given the boot to all the black market merchants who used to line the road. The DVD pirates were, of course, not taking this lying down. Well, they were lying down on their mats, but they were not going without a fight. They put up posters on the new vendor stalls, voicing their rage.

Fast crappy translation:
“Street Vendors of Iron”
Under flag of the national street vendor association, come together and fight through blood and sweat to get our things back. Only by getting together can we live….
Ugh. It repeats the same silliness over and over.

Hey, it’s the street vendor liberation song! You will have to imagine the martial tunes blaring on the loudspeakers, but here are their heartfelt words:
1) The more we are stepped on, the more we will stand up. We are fighting street vendors.
2) Even the if government will try to kill us, a million street vendors will march forward together.
Chorus: We will not retreat, to be human. We will get back all the disrespect at once.
Ahhhh. A million street vendors’ brothers, the promise we made, let’s win liberation.

And we had this handwritten sign:

“We’ve been here 10 years. We’re very poor, barely able to get by. As a father of my family, for 10 years, Najin Industries has been oppressing us, so we have nowhere else to go. We have to fight. Najin Industries has been lying to street vendors and they tried to make a fight between store vendors and street vendors. Najin Industries should receive our challenge.

“Najin should immediately stop removing the street vendors without offering alternatives. Guarantee our lives. Najin should be responsible for where we stay.”

Okay, I told you my paraphrase was fast, loose and crappy. But the original material is not going to win any poetry awards either. From the department of redundancy department.

There is something pretty special about so much self-righteousness coming from people whose entire livelihoods are built on stealing intellectual property.

So what does this all mean? Is Korea finally getting serious about cracking down on piracy? Nothing would make me happier if that were the case. Getting serious about combating pirate bootlegs would do more to help the local media business than any number of screen quotas or government-sponsored investment funds. However, a quick walk through the basement of the building right next store to the demonstrations revealed this:

Yep. plenty of places where you can buy all your usual Japanese anime and American TV shows. So if you need to stock up on your DVD collection, do not worry, there are still plenty of good locations.

Not that I bought any illegal DVDs. No, that would be wrong. Even for the shows that have not been released in Korea but that my girlfriend and I really want to see, that would be wrong.

And in an unrelated note, THE WIRE is the best television show, period. I quite enjoyed watching several episodes of season 2 this evening.

Random Notes – Vol. 2, No. 6

  • The Korea Times has an interesting little piece on Lee Chang-dong’s new film, SECRET SUNSHINE. Lee, of course, was the Minister of Culture and Tourism around 2003-4, and this is his first film since leaving government. Considering it stars both Song Gang-ho and Jeon Do-yeon, that is quite a comeback. Lee’s film opens on May 17 and I hope it does well.

    (Such an unflattering picture of Jeon, though. Is that some kind of new Korea Times policy to make women celebrities look hideous?

  • Those fun-loving Singaporeans have decided to ban the film ZAHARI’S 17 YEARS, about a journalist, Said Zahari, who was locked up for 17 years without a trial. They are demanding director Martyn See hand over the film. Idiots. I recommend everyone checking out the film (or at least what you can find on Youtube), just in principle.

    Of course, Korea has its own history of imprisoning dissidents. And of films about the subject, like REPATRIATION and THE ROAD TAKEN.

  • THE HOST is now up to $1.76 million at the US box office. Although it is showing signs of slowing down now (weekend revenues were off from the weekend before). The film has done surprisingly well in Spain, all things considered, with over $1 million since it was released March 2. Still waiting on the latest from China.
  • Just to keep that HOST stuff in perspective though, India has had SEVEN movies make over $2 million in the US market since the start of 2006. I had no idea until I read the latest by Nikki Finke.

    Certainly U.S. moviegoers can’t get enough of Bollywood movies. Last year was a record-breaker for Hindi films at the U.S. box office: of the 14 foreign language films that grossed over $2 mil here in 2006, seven have been in Hindi. Until then, no more than two Hindi films made over $2 mil here in the same year.

    Very impressive for the Hindi-language filmmakers (but why have not India’s other language films broken out yet?… Lots of good stuff being made outside of Bollywood).

    Also interesting in Ms Finke’s article was the part about how India is a popular place for Hollywood types to make movies these days. Interesting that Korea has not been able to entice any projects here.

    A couple of years ago, at a BIFCOM meeting, I remember talking to a location scout who had spent a few days traveling around the Korean countryside, but was unable to find anything that caught his eye. But I got the feeling from talking to him that he was looking for something more “exotic” than what you typically find these days. I never could decide how much of his comments reflected aesthetic problems in today’s Korea or his inability to see what Korea has to offer.

  • Korea Weekend Box Office – April 6-8

    To no one’s surprise, Song Gang-ho’s THE SHOW MUST GO ON made its debut in the top spot this week. It’s $3.2 million is not bad, but it might be hard for SHOW to maintain, given the torrent of new titles about to be released (not to mention the bittorrent). I really wanted to see this film until I saw the trailer. Now I am less motivated. Might wait for the DVD.

    Once again running neck-and-neck (er, neck-and-severed-neck) in Seoul is SMALL-TOWN RIVALS and 300. Nationwide, SMALL-TOWN RIVALS again did much better, and is on the verge of 1 million admissions.

    The big French action film SKY FIGHTERS (aka LES CHEVALIERS DU CIEL) finally made it to theaters in Korea. I suppose 34,000 admissions are not great numbers, but I remember the French film commission pushing that film hard at last year’s Hong Kong Filmart, so it was kind of interesting to see it finally make it to the theaters.

    This Week Title…………………………………. Release Date Screens Nationwide Weekend Attendance (Seoul only) Total Attendance
    1. The Show Must Go On 3.14 449 147,800 472,300
    2. Smalltown Rivals 3.29 315 63,000 944,000
    3. 300 3.14 220 62,100 2,708,800
    4. Perfume: The Story of a Murderer 3.22 229 41,400 880,300
    5. Because I Said So 3.29 140 37,900 114,700
    6. Black Book 3.29 118 12,000 150,000
    7. Le Chevaliers du Ciel 3.29 95 10,100 34,000
    8. The Number 23 3.22 113 8,600 423,000
    9. Beautiful Sunday 3.29 190 6,500 168,000
    10. Lyrics and Music 2.28 44 5,800 1,112,600

    (Source: Film2.0)

    Next week could be quite interesting, with the new Im Kwon-taek film, BEYOND THE YEARS, getting released, along with MEMORIES OF MATSUKO. Both films will most likely do mediocre business, but it is possible either could take off (or both, for that matter). A lot of women I know seem to be interested in MATSUKO, and you never know how the public will react to an Im Kwon-taek movie.

    Grind? House?

    I just confirmed that the Tarantino-Rodriguez team-up GRINDHOUSE will not be coming to Korea. But you will be able to see both of their films.

    Yes, Quentin Tarantino’s DEATH PROOF and Robert Rodriguez’s PLANET TERROR will be released as two separate films in Korea (as in all international markets, I think). DEATH PROOF is making its debut at Cannes this year, so international markets have been waiting for that before getting the film.

    Here in Korea, DEATH PROOF should be coming in July, followed by PLANET TERROR some time in August (this summer is so packed with big films that their distributor, Sponge House, is still selecting the best dates for each).

    Korea Weekend Box Office – March 30-April 1

    Sorry I am a little late with this week’s box office. The Korea-US Free Trade Agreement and about a hundred other things have me pretty busy these days. Write in to get a full refund if the delay in any way inconvenienced you.

    Anyhow, a fun race for the top spot this week. According to Film 2.0, 300 won for the third week in a row in Seoul, by just 100 admissions — 116,100 admissions to 116,000. That works out to about $782,278 for 300 and $781,600 for SMALLTOWN RIVALS.

    Nationwide, however, SMALLTOWN RIVALS won quite handily, besting 300 by nearly $1 million ($3.00 million vs. $2.18 million). Or 440,516 admissions to 317,538. (Remembering, as always, that the KOBIS nationwide stats amount to only about 93% of the total box office, so the real difference was probably even greater).

    So far in 2007, 300 is the third-biggest film of the year, having earned about $16 million, following VOICE OF A MURDERER and MIRACLE ON FIRST STREET (and it looks pretty certain that 300 will overtake MIRACLE in the next week).

    New films BEAUTIFUL SUNDAY and BLACK BOOK had modest openings. Nothing to write home about, though.

    This Week Title…………………………………. Release Date Screens Nationwide Weekend Attendance (Seoul only) Total Attendance
    1. 300 3.14 279 116,100 2,431,300
    2. Smalltown Rivals 3.29 325 116,000 530,000
    3. Perfume: The Story of a Murderer 3.22 231 71,400 664,300
    4. The Number 23 3.22 170 38,700 373,600
    5. Beautiful Sunday 3.29 215 29,800 105,700
    6. Black Book 3.29 134 26,400 81,300
    7. The Break-up 3.22 150 24,000 202,000
    8. Lyrics and Music 2.28 119 18,500 1,072,300
    9. Mug Travel 3.22 39 6,800 84,000
    10. Soo 3.22 231 6,300 206,000

    (Source: Film2.0)

    This week will see the opening of the new Song Gang-ho film THE SHOW MUST GO ON, which looks like it is going to get a massive rollout. The Megabox in my neighborhood is going to have three or four of its eight screens showing that movie. And it has been getting some decent reviews (although the trailers have been leaving me cold).

    Kim Ki-duk’s latest, BREATH, comes out in a couple more weeks. The press preview was last Friday, but I promised the production house I would not review it before the release date (apparently The Korea Herald did not get that memo). I do not want to ruin it for you but I will give one big spoiler here. BREATH features something never seen before in any Kim Ki-duk film — smiling.

    Not to keep yapping on about THE HOST, but its run in the United States seems to be going surprisingly well. In the 25 days since its release, THE HOST has now made $1.48 million, and it seems to be picking up steam. The number of screens showing the movie has gone up again, to 116 (it opened on 71, and climbed to 94 last week).

    To Bae or Not to Bae…

    Friday I was lucky enough to pick up a copy of Bae Doona‘s travel photography book DOONA’S LONDON PLAY (big thanks to Taste Factory for that). LONDON PLAY was published by Taste Factory together with the entertainment company Yellow Media in summer last year, and features pictures by and about the actress Bae Doona as she traveled in London.


    Of course, Bae Doona has been in a lot of TV shows and movies, including THE HOST, LINDA LINDA LINDA, BARKING DOGS NEVER BITE and TAKE CARE OF MY CAT (although the less said about TUBE or SPRING BEARS LOVE the better).

    I would never claim to know any celebrities based on their characters or how they appear at press conferences, but I have long liked Ms Bae. Not sure why, but there has always been something appealing and real about her. A little odd, but in a good way.


    If you are a big fan of Ms Bae, good news, she has another book coming out soon — BAE DOONA’S TOKYO PLAY.

    Skarirang!

    So I checked out the Slacker show on Friday, and I must say it was really good. Not just Slacker, but Kingston Rudieska and Suck Stuff, too. And I am not a ska/punk fan, either. Good crowd, too… A very nice mix of Koreans and foreigners, old and young, cool and me. Hopefully Matt and the DGBD crew will have more shows like that in the future.

    Suck Stuff was the punk band… but either they have really gotten better since I last saw them, or else I am remembering a totally different band. Usually I quite dislike punk, but I thought they were solid.

    Kingston Rudieska, on the other hand, I outright enjoyed. Nice brass section, mellow, hipsters without being annoying. Very much in the mood of Asoto Union, although different genres. Their homepage is here, and their Cyworld page is here. Their CD was recorded at Cavare Studios, of course, where so much of Korea’s most interesting stuff is done (although they are not a Cavare band, I think, given their non-status on the Cavare website).

    And The Slackers were also very good. I do not know much about the band, but I gather they have quite a following. Really reminded me of the neo-hipster scene that used to hang out in swing circles a few years ago (not that I am intimately acquainted with either scene… but that was the impression I received).

    Will try to get some pics up from the show some time soon.

    UPDATE: Here is an image of Kingston Rudieska that their manager just sent me.

    Random Notes – Vol. 2, No. 5

  • THE HOST just topped $1 million in revenue in the United States, in just its 17th day of release there. Production company Chungeorahm is claiming this is the fastest that any Korean film has hit the $1 million mark in the United States… not that there is much competition. SPRING, SUMMER, FALL, WINTER … AND SPRING was the most successful Korean movie in the US, earning $2.4 million, but taking six months to do so. TAEGUKGI made $1.1 million in three months (most of that in the opening couple of weeks, but I guess it took a while to hit $1 million. OLDBOY never made it to $1 million, earning just $707,391.


    One good sign for THE HOST — the number of screens it is on has increased. It opened on 71 screens and has moved up to 94 now. In comparison, SSFW&S opened on just 6, but grew to 71 during its run. TAEGUKGI opened on 29 and made it to 34, but declined pretty quickly. OLDBOY grew from 5 to 28.

  • More interesting, imho, is how well THE HOST is doing in China. Chungeorahm says it has now made about $1.5 million on some 280 screens (the most ever for a Korean movie). The press release claimed this is the first time a Korean film has been the top movie in China for over a week (it kept the top spot for its first two weeks, but was overtaken last weekend).
  • American ska band The Slackers will be playing at DGBD on Friday night. Tickets are just 20,000 won. Sign claims the show starts at 8:30, but I have never seen a show start on time there.

  • Art Gallery Ssamzie Space (in the Hongik University area) has a new show by Global Alien opening on Friday (March 30). Titled “Freedom of Speech”, the show will run until April 14. I do not know much about Global Alien, but I feel like I should be talking about art shows more. Will try to mention them from time to time.
  • Chung Jiho asked me to mention the kickoff of the first Subtitle Film Festival from April 12 to 15 at the MPark 4 Theater in Los Angeles. Do I have (m)any readers in LA? Anyhow, it will feature nine Asian films, including AFTER THIS OUR EXILE, HANGING GARDEN and MEMORIES OF TOMORROW. Check out Subtitle Media‘s homepage for more information.
  • Aye! Of the Tiger

    Hi all. As you can see, I am giving advertising a try out on my site for a while. I’m sure there will be plenty of fiddling with the design and such over the next day or so while I work the bugs out (and get those ad links to work). Please be patient.

    And drink lots of Tiger Beer.

    Korea Weekend Box Office – March 23-25

    300 continued its reign of terror this week, accounting for over 38% of all tickets sold and easily taking the No. 1 spot. The $3 million it took in over the weekend brings its 10-day total to around $12.7 million.

    The second place film, PERFUME was a big surprise to me. I had barely heard of the movie before, although I have been quite enamored of its poster for the past few weeks…. Hrm, apparently the ignorance was mine. I bit of Googling revealed this was quite a big movie. The $65 million period movie has made over $120 million around the world. Mostly in Europe, though. Just $2.22 million in the United States since its release at the very end of 2006. In only three days in Korea, however, PERFUME pulled in around $2.1 million.

    Jim Carrey’s THE NUMBER 23 made about $1.3 million, good enough for third. Better than I might have guessed, considering the movie’s reviews and how Carrey’s films have rarely done well in Korea.

    Jennifer Aniston’s THE BREAK-UP opened quite tepidly in fourth.

    Much more interesting is the No. 6 debut of MUG TRAVEL. Is this Korea’s first computer 3D animated feature film? I think it is. Clips from MUG TRAVEL have been scattered around the Internet for quite some time now, and I cannot recall how many years I have seen segments at trade fairs. According to the movie website, MUG TRAVEL is the story of little Bebe, who gets a magical pendant one Christmas, then travels to magical lands in a big magic mug. Or something like that. The movie also features a bear named Backkom, but I do not know his relationship with Bebe. It looks well rendered, but I don’t know about the story. I might check it out this weekend if it is still around. I am rather curious about it.


    You can check out stills here. And clips of animation here. From the website, it looks like its creators, Aaron Lim and RG Animation, will be making more.

    This Week Title…………………………………. Release Date Screens Nationwide Weekend Attendance (Seoul only) Total Attendance
    1. 300 3.14 318 191,900 1,912,500
    2. Perfume: The Story of a Murderer 3.22 232 85,200 317,600
    3. The Number 23 3.22 170 62,400 203,800
    4. The Break-up 3.22 150 46,000 132,000
    5. Lyrics and Music 2.28 131 35,400 984,900
    6. Soo 3.22 244 25,500 136,600
    7. Mug Travel 3.22 37 14,200 50,400
    8. The Illusionist 3.08 179 13,400 565,800
    9. Big Bang 3.14 237 10,600 332,300
    10. The Painted Veil 3.14 84 6,800 113,000

    (Source: Film2.0)

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