Books, blog and other blather

Category: Comic Books

Comics (and scifi?) come of age in 2017

Legion

Okay, superheroes and science-fiction media franchises have been big business for around a decade now. So many superhero movies are getting released all the time, I know we’re getting sick of it all. But having just finished watching the Legion TV series, I think it’s safe to say the genre has really taken a major step forward, at least in terms in TV and the movies — at last, superhero media are becoming templates for telling all types of stories, light, serious, mainstream, and weird, like the comic books that inspired them.

When it comes to TV and movies, so much of superhero storytelling has long seemed, well, just bad. Even as a 7-year-old, watching the original Superman movie, the concept of spinning the planet Earth backwards to reverse time seemed pretty sketchy. Hollywood’s approach to superheroes, like scifi or fantasy in general, wasn’t very smart or respectful of the genre … and certainly not very good as scifi or fantasy.

But then in 2000 came the first X-Man movie, and its relative quality was a big surprise, followed by X-Men 2 and the first Spider-Man movies. Nevertheless, in terms of sophistication, tone, etc., most comics book movies and sci-fi movies were decades behind the mainstream culture (let alone the cutting edge) in writing and drawing.

Christopher Nolan’s Batman films were a big step forward and got all sorts of praise; but, really, they were mostly just updating the superhero movie to about the point of Frank Miller’s Dark Knight Returns miniseries (which came out in 1986!). Yes, they were progress, but still 25 years or so behind the comics (and then the Superman V. Batman movie went right back to that same well for more ideas).

Batman Superman

And even Nolan’s “serious” movies like Inception and Interstellar were pretty sketchy in terms of sci-fi — “the power of love” helping the hero cut through space-time to save the day? In 2014? Really?

Anyhow, so Marvel begins to kick butt once they took over their own production with the first Iron Man movie. People were generally pretty impressed and the film got lots of great reviews, peaking with the Avengers, but people soon grew tired with the noisy, meaninglessness of it all.

But it looks like Marvel was keeping an eye out on popular opinion, and took steps to stay ahead of the curve. And rather than doing so by emphasizing special effects and bombast, they’ve instead chosen to focus more on finding interesting voices to tell those stories. Choosing oddballs like James Gunn (who came from Troma Studios) and Scott Derrickson (who did a Hellraiser movie) was a sign of a new set of priorities.

This year, that approach to superheroes really got a lot more interesting, with the much-praised Logan movie, and now with the Legion TV series.

I really loved Legion in particular  because I so vividly remember reading those Chris Claremont-Bill Sienkiewicz issues of New Mutants that inspired the TV show. Back in the mid-1980s, coming across art like Sienkiewicz in mainstream comics was really mind-blowing. Collages, mixed media, and furious scribbles of jagged ink defined Sienkiewicz’s art, and I went crazy for it.

BS-NewMutants

Combining those classic comics with Noah Hawley (Fargo) was a masterstroke. As Bill Simmons said of the 30 For 30 documentary series he devised for ESPN: If you hire brilliant people, get out of the way and let them be brilliant.

BS-NM-David

To be honest, I was a bit ambivalent after the opening episode of Legion. I thought it was a bit precious, like it was trying too hard. I was worried that once the story got going, it was going to revert into something more traditionally superhero-y, with cheap, TV-level special effects. Was I ever wrong. Throughout the first season of Legion, the storytelling remained vibrant and creative, based on the characters rather than mindless action.

Factor in other good examples, like Arrival (a decent, if flawed, attempt to bringing Ted Chiang’s “Story of Your Life” to the big screen) and perhaps Blade Runner 2049, and it is looking like this is a very good time to be a fan of scifi movies.

large_Arrival-Poster-2016

Of course, there will still be plenty of dumb scifi and superheroes coming our way. 95% of everything is junk, as the saying goes. But it is nice to think that the best stuff is getting better, really pushing the boundaries of TV and film — even if it took a generation for those media to catch up to the comics.

Morning links

  • I had no idea Yeomni-dong (not far from Shinchon in Seoul) was such a crime-ridden area. I used to live close to there. (Korea JoongAng Daily)
  • Korea’s organized crime targeting … universities? (Korea JoongAng Daily)
  • A summary of the weekend’s hip hop “wars” in Korea (Korea JoongAng Daily)
  • 3,000 Koreans living in Mongolia these days as Mongolian economy and Korean investment there keeps climbing (Korea JoongAng Daily)
  • It’s always nice reading sensible thoughts on the Korea-Japan relationship (Korea JoongAng Daily)
  • The second KCON (or K-pop convention) was held in Los Angeles last weekend (LA Times)
  • I always hate to see schools restricting access to books. In Japan, 39 schools have restricted access to Barefoot Gen, a famous graphic novel about surviving the Hiroshima nuclear bomb (Japan Times and here). The classic comic book just turned 40 in June (Japan Times).

 

More Snowpiercer, and Other Things

I’ve been thinking more about Snowpiercer over the past few days, wondering why I had the reaction I did to the film. And I’m beginning to think it might be a comic book thing.

I’ve only glanced at the comic, Le Transperceneige (in Korean translation), not read it in detail, but I get the sense that it was a dark, more horrific story. With black-and-white, high-contrast art, the comic feels very stylized and ominous.

Oh, once again, SPOILERS.

You can do things in comics that are much harder to pull off in film. World-building is easier, as the reader can fill in more details mentally than movie audiences can. Especially for darker-toned works, comics allow for some striking symbolism and contrasts that don’t always work in a movie.

So, when you see the cockroach grinder … in the comics, I could imagine it being a really striking revelation. But in the movie, it just seemed silly. Same thing with the children in the engine — I could imagine it looking grandly terrible in the comic, whereas in the movie, I was just thinking, “That’s kind of dumb.”

As for monologues and exposition, they can be presented very differently in a comic. Reading text is just another way of telling the story in a comic, and it can be quite compelling. In a movie, it grinds the story to a halt.

And, of course, there is size. At around 252 pages, Le Transperceneige was not huge, but that’s about the equivalent of 11 or 12 regular comic books, which is bigger than a two-hour movie can hold. I’m sure Bong Joon Ho had to make a lot of cuts and changes to turn that story into Snowpiercer.

Bong’s movie is his movie, it was not the comic book. That’s fine. But a lot of the choices he made were sloppy, and some of the more ridiculous parts of the graphic novel seem really over-the-top in a film. Sorry, but for me it just did not work.

Look at Watchmen, which was as close to a frame-by-frame adaption of a comic book as anyone has ever done, but totally rang false as a movie (well, except Persepolis, which was wonderful).

Feel free to pick up Scott McCloud’s Understanding Comics for a great explanation of how comics work and what makes them unique. Much better than anything I could write.

Some other things:

  • Snowpiercer had 368,000 admissions Friday to bring its total to 5.2 million (that’s 37.2 billion won). That is 41% drop from last Friday.
  • Terror Live had 252,000 admissions to bring its total to 3 million. Terror Live dropped just 24% from last Friday. It will be very interesting to see how both films are doing in a couple of weeks, as their audiences drop and The Flu joins the fray.

Random Notes – Vol. 4, No. 1

  • I just stumbled across this old Harvey Kurtzman comic from 1952 called A CORPSE ON THE IMJIN. Yes, the Harvey Kurtzman who later founded Mad magazine.

    IMJIN, however, is much more serious than Kurtzman’s later work. It is a dark story set in the Korean War, of a soldier sitting at the shore of the Imjin River, watching a body floating by, wondering how the man died. Then the story takes a grim turn. A short but fascinating read.

  • Matt at Popular Gusts beat me to writing about the comic book exhibition over in the National Museum of Contemporary Art, down in the Seoul Grand Park (by Gwacheon). The exhibition runs until Aug. 23 (and, who know, maybe the museum will have updated its English website by then… but for now, you can see the Korean website about the exhibit here).
  • As long as I am on the subject of comic books, I just found out about Kim San-ho a Korean comic artist who used to draw for Charlton Comics back in the 1960s and 70s (and even Marvel a little). He returned to Korea later and made several Korean comic books and wrote a lot about Korean history, too. You can see a gallery of some of his comic book covers here.
  • I watched Jun Ji-hyun’s BLOOD: THE LAST VAMPIRE last night. No surprise that it was not very good. The first half felt exactly like the original anime, and was borderline interesting — basically BUFFY THE VAMPIRE SLAYER will all the humor and wit taken out, and several bathtubs of blood put in.


    About halfway through the film, the mood shifts, and it begins to feel like a Hong Kong movie like CHINESE GHOST STORY, with a lot of really frenetic action sequences and cheap special effects. One of the biggest action sequences is really poorly done, and looks like the producers ran out of money. The story changes from the original anime, too, acquiring a ridiculous backstory that is unnecessary and really, really cheesy.

    It’s too bad — Jun Ji-hyun looks exactly right for the part of Saya, the Vampire hunter. Unfortunately, the director and writer were quite terrible and uncreative.

  • I loved this story about our favorite cloning scientist Hwang Woo-suk getting a science award recently. I do not know anything about the loonies who give out the Jang Young Shil Award of Science, Technology and Culture, but you have to love this line from the KT story:

    Hwang was unable to participate in the awards ceremony at the Press Center in downtown Seoul, due to a previously scheduled court appearance.

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