Category: Korean movies (Page 8 of 31)

SHADOW KILL (Geurimja Salin) stayed on top of the box office for another week, now topping 1.1 million admissions. The historical thriller took in 2.5 billion won ($1.85 million) to bring its total to 7.5 billion won ($5.55 million).

In second, once again, was FAST & FURIOUS. New title URI JIPE WOE WOTTNI landed in third (that is the film left blank in the KOFIC chart below).

In fifth was the debut of the Japanese title SUSPECT X. NEW IN TOWN and THE UNINVITED were the other new titles this week, none of which made much of an impact.

Okay, this link is a few days late, but here is a reminder that there are more and more opportunities to see Korean movies with English subtitles these days.

The Cinus theaters in Myeongdong and Gangnam are both offering Korean films with subtitles, thanks in part to a support program by the government. Cinus has more information about the theaters and the movies with subtitles here. Unfortunately, if you want to find out the times the movies are playing, you need to be able to use the Korean-language website.

A reminder also that the latest International Women’s Film Festival in Seoul is underway, running until April 16. All the movies are being screened at the Artreon Theater in Shinchon, and I think they all have English subtitles (nearly all?).

Oh, and if Russian cinema is your thing, the Seoul Cinematheque is having a big festival of Russian movies until April 26. Most of them have English subtitles. The Seoul Cinematheque is located at the edge of Insa-dong, on the fourth floor of the Nagwon Arcade (map).

Korea was one of the few territories in the world were FAST & FURIOUS opened and was not the No. 1 film last weekend. Instead, audiences flocked to the new release of local film SHADOW KILL (Geurimja Salin), giving the film 3.2 billion won ($2.4 million) over the weekend, for a total of 3.7 billion won.

FAST & FURIOUS 4 came in a distant second, making 1.4 billion won ($1.1 million) over the weekend, for a total of 1.6 billion won.

SLUMDOG MILLIONAIRE slipped to third, making 982 million won ($744,000), for a three-week total of 5.5 billion won ($4.2 million).

Except for the No. 1 film, there was not a lot of Korean films at the box office last weekend. Next came MISSING (Siljong) way down in eighth with 304 million won ($230,000) to bring its three-week total to 3.9 billion won ($3.0 million).

A SADDER STORY THAN SADNESS (Seulpeum-boda Deo Seulpeun Iyagi) came in 10th with 85 million won ($64,000), for a total of 4.7 billion won ($3.6 million).

Beneath the top 10, OLD PARTNER (Wonang Sori), the cow documentary, was in 13th with 42 million won, for a total of 18.8 billion won ($14.2 million).

OVERSPEED SCANDAL (Gwasok Seukaendeul) is still in a few theaters, good enough for 19th, making 7.2 million won for a total of 53.7 billion won ($40.7 million).

TOKYO SONATA, down in 29th, never took off in Korea. It earned just 3 million won last weekend for a three-week total of 18 million won ($18,000).

SHORT BUS, now in 31st, by contrast has made 121 million won ($91,600) over its four-week run.

DAYTIME DRINKING never took off either, coming in 33rd. It made 1.7 million won for a two-month total of 170 million won.

According to KOBIS, Korean films are at 45.1% of the boxoffice for the year.

But KOBIS is not the only boxoffice game in town. The latest monthly numbers from CJ CGV just came out, too. For the first quarter of 2009, CGV says that the boxoffice numbers are very similar to 2008 — 35.74 million admissions so far in 2009 compared to 35.79 million last year.

Korean film attendance is still down, though, with 46 percent of tickets going to Korean movies so far in 2009. Last year at this point it was around 55 percent, about the same in 2007, and it was over 70 percent at this point in 2006.

Most years Korean movies start out strong, then get pummeled by Hollywood in May and June, before bouncing back later in the summer and the year. Last year, the Korean film industry basically rolled over and played dead from April to June (with the low point coming in May when Korean movies had just 8 percent of the boxoffice).

This year, however, could be very different, with films by Park Chan-wook coming at the end of April and Bong Joon-ho at the end of May.

Sorry, no time for comments this week. But here is the latest box office report, courtesy of KOFIC. Congratulations to SLUMDOG MILLIONAIRE for coming in No. 1… despite the pirated DVD being available everywhere in Korea for months. Not a bad achievement.

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One random note, unrelated to anything: South Korea apparently got a “shout out” in gossip-monger Liz Smith’s most recent column. Kind of funny, though:

And if you’re determined to live beyond your means but afraid of being judged, move to South Korea. They love to spend unashamedly there. Time quotes a Seoul graduate student: “Many Korean girls like to have luxury brands. Even if they live in a box, they spend.”

Okay, I’m rather late to the game, but I must say that SLUMDOG MILLIONAIRE is really great. I saw it last weekend and thought it would be okay; but it wasn’t okay, it was great. High recommend.

In Korea, though, SLUMDOG MILLIONAIRE opened only in the No. 2 spot, with 234,000 admissions and 1.59 billion won ($1.14 million) over the weekend.

In first place was some Hollywood film called PUSH. PUSH had 280,000 admissions and 1.88 billion won ($1.34 million), enough for first place.

Top Korean film was the No. 3 movie MISSING (Siljong), which had 213,000 admissions and 1.49 billion won ($1.06 million). In fourth was A SAD STORY THAN SADNESS (Seulpeum-boda Seulpeun Iyagi, and a bunch of alternative English titles) with 129,000 admissions and 865 million won ($618,000) to bring its total box office to 3.62 billion won.

OLD PARTNER (Wonang Sori) was in sixth, earning another 425 million won to bring its total to 18.3 billion won ($13 million). And that was it for Korean movies, just three in the top-10 again this week.

Actually, no one film particularly dominated last weekend, with the biggest film (SADNESS) on only 355 screens and the smallest (Gran Torino) on 138. Not a big range compared to usual.

Hey, the trailer for DAYTIME DRINKING is now up on the Apple website. That is kind of cool. Check it out here.

DAYTIME DRINKING also has a pretty decent English website here.

Looks like the marketing campaign for Park Chan-wook’s THIRST (aka, Bakjui) is getting started at last. Here are a couple of posters from the film (via the Chosun Ilbo):

And here is the movie trailer:

No signs of a subtitles trailer yet. Will post one if I find it.

Lotte Entertainment is presenting its latest melodrama, A SAD STORY THAN SADNESS (Seulpeum-boda Seulpeun Iyagi) in several locations with English subtitles, at least for the next little while.

Locations include the Lotte Cinemas in Myeongdong (the Emmanuel Cinema in the Lotte Department Store), Goyang, Ansan, Miryang and Busan.

I wish I could provide times and advance ticketing information, but the Lotte website is horrible to navigate. But if you live in one of the above locations, you probably know your theaters already.

(Since it is so nice to get new Korean films with subtitles, I will refrain from taking shots at the grammar in that bizarre title.)

It was neck-and-neck last weekend between the action film DRAGONBALL EVOLUTION and the South Korean melodrama A SAD STORY THAN SADNESS (Seulpeum-boda Deo Seulpeun Iyagi), but in the end, SADNESS won out. Just barely, with 256,649 admissions versus 252,625.

Revenues were a little wider apart, thanks to DRAGONBALL appealing to the kiddies. SADNESS made 1.74 billion won ($1.23 million) over the weekend, and a total of 2.1 billion won ($1.48 million) since Thursday evening. DRAGONBALL made 1.60 billion won ($1.13 million) and 1.76 billion won ($1.24 million) total.

Coming in third was everybody’s favorite cow, OLD PARTNER (Wonang Sori). It made another 1.03 billion won to bring its two-month total to 17.52 billion won ($12.34 million).

WATCHMEN dropped all the way to fifth, earning just 921.9 million won to bring its total box office to 3.64 billion won ($2.56 million).

The only other Korean film in the top 10 last weekend was THE SCAM (Jakjeon), which landed in eighth. It has now made 9.63 billion won ($6.78 million).

Six of the top 10 films last weekend were new releases. Korean films have accounted for 46.8 percent of the box office so far in 2009.

(Courtesy of KOBIS and the Korean Film Council. Figures represent 98% of the nationwide box office).

Does the opening of WATCHMEN last week mean the summer movie season now starts at the beginning of March? Let’s hope not. However, the real summer releases are beginning to fill the calendar, and this year looks like one of the more interesting in quite some time.

If you follow Korean movies at all, you know the pattern — Korean films start the year pretty strong, thanks in part of the Lunar New Year. But by March the balance flows back to Hollywood. Then May and June and much of July are completely dominated by Hollywood. But by the end of July, Korean films make a comeback and usually do very well in August. Korean films do well again for the Chuseok holiday in late September/early October, then finish the year strong.

Will 2009 be the same? Certainly Hollywood’s rhythms fit that schedule. But this year there are several really big Korean films challenging Hollywood’s turf, so there is at least the potential for a different result this year. It is still a little early to be talking about summer, but what they hey — here’s a look at the coming season’s movies:

April 2
– PRIVATE EYE (Geurimja Sarin). A thriller set early in the Japanese colonial period. So far colonial era films have had rather lackluster results at the box office, but this film looks interesting.
– FAST & FURIOUS 4 (or whatever number this one is).

April 30
– THIRST (Bakjui). The new Park Chan-wook film. Starring Song Gang-ho. Religion, vampires, sex. What else do you need to know?
– WOLVERINE

May 7 – STAR TREK
May 14 – ANGELS AND DEMONS
May 22 – TERMINATOR 4
Some time in May (tentative) – MOTHER. Bong Joon-ho’s latest. Distributor is waiting to see how the film does at Cannes, hoping it gets some good coverage and a bounce. Early word on this film is very strong.

June
– TRANSFORMERS 2: REVENGE OF THE FALLEN. The first TRANSFORMERS film was the most successful foreign film ever in Korea. How will the sequel do?
– GI JOE. Officially slated for August 2, word is Fox has moved this film up to June, although there is no exact date yet. (UPDATE: Nevermind. I’m an idiot. August release it is.) Features Lee Byung-hun has one of the bad guys.

July 2 – PUBLIC ENEMIES

Sometime in July
– HAEUNDAE. Big tsunami hits the sound coast of Korea, in particular the popular beach resort of Haeundae. Big money is going into the disaster effects, plus it stars Sol Kyung-gu and Ha Ji-won.
– JEON WOO CHI. Goblins wreaking havoc on the world? I would be more skeptical, but I am a pretty big fan of Choi Dong-hoon (TAZZA, THE BIG SWINDLE), so I have hope this film could be a lot of fun. Besides, special-effects heavy films coming out in late July/early August have a pretty good record (THE HOST, D-WAR).

No dates yet
– HARRY POTTER 6.
– All those Hollywood comedies. Hollywood still pushes its blockbusters hard in Korea, but the vulgar comedies just do not translate well so often get minimal releases (if any at all).

I am sure I have missed more than a few films. I will update this list as summer gets closer.