Books, blog and other blather

Category: Korean Television (Page 1 of 3)

At last — Pop Goes Korea is back!

PGK2

Okay, so this took a few months longer than I expected last fall. But at least, Pop Goes Korea (2nd Edition) is out and for sale.

The new version is 10,000 or so words longer than the old one, with all sorts of updates throughout. In addition to updates to each chapter, I’ve also added essays about Korean indie music, another about classic rock, a followup Q&A with Sean Yang (founder of Soribada) and a new Q&A with Dami Lee, the web cartoonist.

Best of all, the 2nd edition is also a lot cheaper, for $4.99 on the US Amazon site.

Oh, but all the photos are gone. Sorry, but I didn’t want the hassle of dealing with all those photo rights all over again. And, besides, this is the internet age, so I assumed people could just search and find all the photos they wanted for any subject.

For now, it is only available as an ebook at Amazon, but I am planning to upload it to all the major ebook sites soon enough.

Okay, it is a bit of an old book for such a high-turnover, constantly changing topic. But I think it holds up fairly well (and there really is nothing else that covers the same territory in English). And for the occasional student of pop culture, hallyu or modern Korea, I thought it would be useful to have my book easily available.

Thanks to all who read the original edition, and to those who are interested in the new one. I really appreciate your time, and I hope you find the new version interesting and useful.

 

 

Outrage, bias and growing older

I was taking a look at traffic to this little blog (bloguita?) a little while ago, and noticed a few hits coming from the forum attached to a popular Korean pop culture website. There, on a thread all about the actor Bae Yong-joon, one commenter had linked to my website, saying some nice things about Pop Goes Korea, but also making some strange claims about my “bias” against Bae Yong-joon, apparently instead favoring Lee Byung-hun.

Which I thought was more than a little odd. I mean, there’s a lot in the book about Lee because, well, there’s a whole chapter that profiles him. But in that chapter, when I talk about the rise of the Korean Wave, I clearly indicated the prime importance of Winter Sonata, the drama that made Bae so internationally famous. I may have tweaked Bae’s obsessive fandom once or twice in the past, but I think I’ve always given him his due.

wintersonata

So if I talked a lot about Lee Byung-hun, it was because he was the subject of the chapter, and because he was generous enough to give me plenty of time for interviews, responding to my many questions. Bae would have been a great choice for a TV chapter, but at the time, he just wasn’t interested in participating in the book (and I had some contacts with his company and manager at the time, so wasn’t just cold-calling from out of nowhere).

But, being the Internet, people like to speculate, which led to some really odd comments, like maybe I preferred Lee Byung-hun because his personal scandals appealed to my male sensibilities. Very, very odd. If anyone wanted to take a moment to research a little, they would have found plenty of stories about the importance of Winter Sonata  and Bae in Hallyu history.

Anyhow, it definitely was not a big deal. I only mention it because of some other online fusses I’ve seen lately. There’s apparently a squadron of people who loathe the very nice folks at Eat Your Kimchi, so when EYK was announced as a guest on some Arirang TV show, a mini-mob arose, accusing EYK of all sorts of ridiculous stuff (like fat-shaming, which would be, like, the exact opposite point of their videos on the topic). The mind boggles.

Fans of K-pop groups are always quick to switch to outrage mode, whenever someone is perceived to have slighted their favorites. Some of those fans are famous for being totally unhinged.

But it isn’t just Korean pop culture fans, of course. It seems like any field where people are the least bit passionate, that passion turns so quickly and easily into a wild, mob mentality. Left hate right. Right hates left. The fantasy and science fiction communities, also love a good flame war (“So-and-so famous writer from the past was racist!” being a popular starting point).

All of which makes me so happy to be middle-aged. I have my loves and dislikes, but aside from my family, all my music favs, art, movies or whatever have a much more moderate place in my psyche. “I hate X.” “Oh, okay. I quite like X, but that’s all right.” Life is so much more pleasant this way.

* * *

Then again, no shortage of the big Twitter flame wars involve adults, so I guess age doesn’t mellow everyone.

Piqued by ‘Non Summit’

Nearly a decade after KBS tortured us with “Misuda”, or “Chattering Beauties,” a show featuring foreign women talking about Korea (and perhaps being objectified a bit), JTBC gives us “Non Summit,” a rather similar show featuring young men from around the world who speak Korean.

I recall a lot of foreigners complaining about “Misuda” back when it was on the air, claiming that Koreans would never do a similar show with men. But now here we are, with foreign men being treated just as ridiculously as foreign women were way back when.

I just wonder if one of the guys will open a good makgeolli bar near my apartment, like Taru from “Misuda” did. (Information about Taru Jumak is here. Very good place).

Here’s a story talking a bit more about “Non Summit” and what they are aiming for.

If you want to get a sense of what the show is like, you can see it here with English subtitles. More subtitled episodes are linked here.

Anyhow, I know I’m complaining too much. But it is genuinely interesting to see a show like this on the air now. It’s amazing how much Korea keeps changing — both in terms of how well people around the world are learning Korea, and how much better Korea is becoming at dealing with the rest of the world.

 

Monday morning links

  • On Busker Busker’s 2nd album being such a hit (Korea JoongAng Daily)
  • Oh, and you can buy the new Busker Busker on iTunes.
  • A bit hard to read (dodgy translation and the English version is missing some information), but interesting interview with senior TV actors about Korean TV biz. Those interviewed include Lee Soon-jae, Choi Bool-am, and I think the Vice-Minister of Culture Ryu Jin-ryong.  (DongA Ilbo)
  • Revitalizing old roads, factories in Korea by turning them into cycling paths, museum (Korea JoongAng Daily)
  • A look at the ugly culture of off-track gambling in Korea (Korea JoongAng Daily)
  • Face Reader topped 8 million admissions yesterday. Our Sunhee topped 50,000 (KOBIS).

 

Monday Morning Links

  • More than 100 years of “Arirang” recordings, on display until Feb. 28 at National Gugak Center (Korea JoongAng Daily)
  • Terrible suggestion for fixing problem of lending Korea’s National Treasures — just lend replicas! (Korea JoongAng Ilbo)
  • At least one left-wing group wasn’t guilty of insurrection (Hankyoreh)
  • Not good — Hankyoreh claims evidence linking Blue House to resignation of Korea’s head prosecutor (and NIS foe). (Hankyoreh)
  • Fascinating look at the Korea Crime Victim Support Fund, a badly flawed (if well-intended) program (Korea JoongAng Daily)
  • Has it really been 10 years since Daejanggeum? Lee Young-ae looks back on the pivotal drama and her career. (Chosun Ilbo)
  • As cool as it is that Drunken Tiger’s new release, The Cure, is doing so well, it feels more like a Yoon Mirae album than a Tiger one. Her vocals really define it, not just on “The Cure,” but also tracks like “Beautiful Life” and “Time Travel.” (Billboard) (Soompi‘s not bad either) Buy it on iTunes!

 

Oh Say Can You CNBC?

Hey, looks who is on TV!


I was interviewed by CNBC for a little segment on Korean pop culture. I appear around the 90 second mark. It was not too exciting, but at least international media are trying to understand what is going on in Korea.

Btw, there are more concerts and good things listed over at the Korea Gig Guide.

 

Big TV’s Big Shakeup

Wow, it finally happened. After years of rumors, Orion has finally sold its On Media cable TV channels. And not only did they sell On Media, but they sold it to arch-rival CJ. I really am amazed.

For years, On Media was the dominant cable TV channel group in Korea (the industry jargon is “Program Providers”). After cable TV was launched in Korea in 1995, it was much more a whimper than a force for several years. But gradually On Media grew, starting with Tooniverse, and adding music, movie and other channels (including HBO briefly, and of course the mandatory baduk channel). Soon after the turn of the century, the American program Friends made a huge splash in Korea (which On Media did not have), followed by Sex & the City (which it did) and CSI (On Media, too), and soon cable TV was a big deal. Soon, On Media was by far the biggest Program Provider in Korea (at one point accounting for nearly 50 percent of all cable TV watching).

Then CJ decided to add cable TV to its growing list of entertainment and media companies. After a few missteps, it was running neck and neck with On Media, which has been the situation for the past several years.

But strangely, despite On Media’s success, there have always been strong rumors that parent company Orion wanted to sell it. Rumor has it that the Orion bigwigs did not like being involved in the entertainment industry, considering it too unstable and too different from the company’s core businesses. For a couple of years, there were supposedly serious talks going on between Orion and KT. At one point, a contact of mine even told me it was a done deal. But obviously that never happened.

Then Orion sold off its movie exhibition company, Megabox, so there was something to the rumors. And then the company closed its newly opened production company, Motion 101. And about a year ago, people started to mention CJ as a serious suitor for On Media.

What will it mean for the Korean entertainment industry? Fierce competition between CJ and On Media has helped to boost prices paid for top programs to ridiculous levels. I assume that is going to cool off now (at least until someone else comes along… there is always another challenger to the throne). I assume, too, that CJ is going to start closing some of the overlapping channels, or at least changing some formats.

But my biggest worry is that this deal with further retard the development of original programming on cable TV. Much as cable in the United States has become the source of much of the best storytelling these days (Sopranos, The Wire, Mad Men, etc.), I think Korea needs cable TV to step up and become a player. When On Media produced Bong Man-dae’s erotic series DONGSANG IMONG, I had hope that they were going to become something like HBO. Sadly, rather than take the best elements of that series and develop them, cable TV instead chose to focus on the sex, and have instead made endless unwatchable ero-dramas. Sigh.

I do not see the CJ-On Media deal making things any better… But who knows? Maybe this will embolden CJ to start producing something with substance.

More AFKN Fun

Last year, in a post about the history of AFN Korea, I talked about some websites that delve into the history of the American Forces Radio & Television Service. One of those sites I mentioned was Thomas Weston’s history of AFRTS.

Well, Mr. Weston has gone on to start a new blog all about the history of AFRTS, which includes a couple of posts about Korea so far. And there was this post of the AFKN newsroom from 1968.

I also ran across this website for the Southwest Museum of Engineering,
Communications and Computation, which features many interesting old AFRTS stories, including many from Korea. My favorite was this first-hand report on AFRS back when it was mobile, driving all over Korea. Great old pics of AFKN here.

2008 Anti-Wrap-up (A Wrap-Down?)

Hrm… End of the year. I guess I am supposed to offer some sort of wrap-up of 2008. Or top-whatever lists. Or some sort of words of wisdom.

Too bad I don’t really have anything like that. At least nothing earth-shattering or brilliant or controversial.

The movies had their worst year in quite a while, with Korean films dropping to their lowest level of support since 2002 or so (still waiting on the final figures). THE CHASER was probably my favorite film of the year, although it was more of a B+ than an A. THE GOOD THE BAD THE WEIRD was fun but not great (and a little shaky in spots). Hong Sang-soo’s and Kim Ki-duk’s latests were duds. Most everything else felt… well, typical. Some good, some bad (some terrible)… but nothing really weird. Nothing surprising. Artistically, things are in a bit of rut.

But despite their money problems, the fact is attendance is still way up from what it was 10 years ago, new movie theaters are still being built. And, most importantly, good films are still being made. Bong Joon-ho and Park Chan-wook have their new films coming soon. And there are a lot of really interesting, big projects in the works. Sorry I cannot talk about a couple of the more fun ones I know. But things like the cgi animation of Robot Taekwon V or Bong Joon-ho’s Snow Train are just way too cool. Certainly Hollywood’s interest in Korea is bigger than ever. And I would not overlook the behind-the-scenes stuff going on with China and Japan, either.

People claim that financing is so tough, but last year saw over 100 films released — still way more than a few years ago, and probably more than is healthy. Yes, some previously popular sources of financing have dried up. But most of them probably were not so good anyhow, and the industry has a whole is stronger without it. Stupid money investing in bad movies helps almost no one (except the crew members, who could use all the help they can get).

The music industry has, for the most part, completely adjusted to the digital age. I don’t see anyone seriously expecting CD sales to recover any time soon. Now the business is more about all-round celebrities, with money coming from a hundred sources aside from CD sales. Kind of sucks for the indie artists… But then, it always did for them.

The new system just highlights how hollow the business model is for real, live bands. The fact that there are more and better indie bands in Korea than any time I can remember, despite the end of CD sales, indicates to me that something very different drives music. Who knows, maybe with a little luck and hard work, the live music scene might get its act together in 2009 and try to present something to people that the pop music industry is not supplying.

(Since I am not much of a K-pop guy, I will refrain from commenting on the music itself this year, aside from saying it seems pretty much the same as always. But as I said before, my choice for most interesting CDs of the year is posted over at London Korean Links).

Korean TV continues to move toward independent productions. Lee Byung-hun has his IRIS series coming. Bae Young-joon has an interesting new project on the way (which I guess is not necessarily a TV thing… not sure what it is from that article, but I assume it will have a TV angle) (Taewangsasinggi vs. the Wondergirls?).

I guess if I were to summarize 2008, we are in a period of change… but then, aren’t we always? Internationalization is growing ever more important (but again, not really an original insight). I am not saying the stories here are uninteresting… It is just that I have been talking about them all year. It may be the end of a calendar year, but it does not feel like any kind of natural break in the Korean entertainment scene. Maybe by later in 2009 we will have a better idea what the next big things are.

Discovering Hip Korea

Korea Herald (along with countless Korean language outlets and fan sites) is reporting that the Discovery Channel is going to air a couple of documentaries called HIP KOREA this spring. One will be about the singer Rain (Jung Ji-hoon) and is subtitled “Seoul Vibes,” while the other is about Lee Byung-hun and is called “Seoul Savvy.”

Actually, this was reported in the foreign press over two weeks ago.

As for what it all means, I will excuse myself from commenting for now. But I hope people really enjoy the shows.

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