Books, blog and other blather

Category: Shin Joong-hyun

Out of This World

Apropo of nothing, but I just cannot stop listening to the old song “Space Vacation” (우주 여행), by the Bunny Girls — identical twins Gho Jae-sook and Gho Jung-sook. They performed it on Shin Joong-hyun Sound Vol. 1 (1971), their first recording, a very good Shin record that was filled with a variety of new singers. On “Space Vacation,” the Ghos sing all these strange echo and flanging effects … and no one knows whether they did it for fun or because they did not know how to make the real effects in the studio. Either way, it’s just too much fun.

And if I’m going to get musical on today of all days, I guess I have to include Girls’ Generation’s appearance on David Letterman last night:

There was a “Woah” from Regis Philbin and a “Kamsahamnida” from Letterman himself. As for the quality of the Girls’ performance … well, it was standard lip-syncing K-pop. Well done, of course. My wife thought they looked nervous, causing their dance moves to be a little weak. I assumed they were just hungry.

Meanwhile, we have a rainy day today here in Spain; I’ll be on the lookout for falling frogs.

Oh, and The Atlantic had a piece on K-pop the other day, asking “Does Korean Pop Actually Have a Shot at Success in the US?“. It is not a bad article, as these things go — a tad long-winded, but I think he notes the important thing, that K-pop this time is aiming for the Tween market, where it has the best potential for success. But he really should have discussed the Kim Sisters, a Korean group that did very well in the United States for years, albeit more on the live circuit than in the charts. Here is an article titled “Kim Sisters Can — and Do — Just Anything” from Billboard in 1964.

Anyhow, no signs of Girls’ Generation on the iTunes charts (yet … although they are doing well on the Billboard Heatseeker chart). Not that it matters so much. I think SNSD is getting their name and sound out quite effectively, regardless of how they do on the charts.

A Korean Classic Rock Revival

A feature I wrote for the International Herald Tribune about Shin Joong-hyun and the revival of Korean classic rock music is now online. I hope you find it interesting. It should be in Friday’s print edition, if you prefer dead trees.

I’ve written about Mr. Shin before, so rather than just re-hash his biography I tried to do something a little different with this story, connecting a bunch of different trends. First, there is the re-issue of Mr. Shin’s music in the West, which is pretty cool. And there is the growing interest in old Korean rock music in Korea, with retro bands like Chang Kiha and the Faces and the retro sampling of DJ Soulscape.

21iht-korearock21-popup

Plenty of modern rock bands are also covering classic rocks songs these days (like Galaxy Express), and several Hongdae clubs have had special days focusing on classic rock covers (which I think Badabie started with its Kim Jung-mi cover night) — oh, and the neo-70s group Funkafric & Boostah, they’re great — but unfortunately I could not find a way to fit in those details.

ChangKiha

Anyhow, I’m just happy to spread the word a little about some great Korean music besides K-pop. I hope a few people out there might read it and listen to Mr. Shin’s music or other great stuff from way back when.

Here are a few links to some other things I have written here about Shin Joong-hyun: here (about the Light In The Attic releases), and here (about a 1963 article on Mr. Shin from Stars and Stripes).

Now if I could just find a reason to write about Han Daesoo or Sanullim…

Shin Joong-hyun Like You’ve Never Heard Him

I’ve been listening to an early copy of Light in the Attic’s Shin Joong-hyun retrospective, BEAUTIFUL RIVERS AND MOUNTAINS: THE PSYCHEDELIC SOUND OF SOUTH KOREA’S SHIN JOONG-HYUN, 1958-1974, and so far I am really impressed by it. The sound quality is noticeably better than the CDs currently on the market, even with the compressed versions I have, with better range and dynamism (and now recorded at the correct speed).

ShinJoongHyun_325_thumb_325

Light in the Attic Records tell me that they made new transfers of Shin’s songs from the original vinyl (the original masters were apparently burned by the government back in the 1970s), then remastered everything in the United States. The result is Shin Joong-hyun much closer to how his music is supposed to sound, and if you have only heard his music on CD, the difference can be pronounced at times.

Other people have also been listening and apparently are impressed. Mojo magazine’s most recent issue (October) has named the retrospective their Reissue of the Month, giving the CD 4 stars and comparing Shin to Phil Spector. Sadly, Mojo is not available online (at least not for free), but you can read a couple of excerpts from their review here.

Attic will also be releasing a digital EP of Shin’s music, SHIN JOONG-HYUN, FROM WHERE TO WHERE: 1970-1979, and I quite like it, too. Both collections contain severals songs that I have not heard before, with an emphasis on Shin’s more rockin’ and psychedelic songs.

Shin_DigitalCover3

BEAUTIFUL RIVERS AND MOUNTAINS contains 14 songs, including many of Shin’s best, such as “The Man Who Must Leave” (떠나야할그사람), “The Sun” (햇님, a personal favorite), and of course “Beautiful Rivers and Mountains” (아름다운강산). There is just one song, “Moon Watching” (달마중), from his debut album, Hiky Shin, but it was interesting to hear something Shin recorded way back in 1958. And there is a good overview of the various singers who have recorded with Shin over the years — Kim Jung-mi, Kim Choo-ja, Lee Jung-hwa, Jang Hyun, Park In-soo, Bunny Girls, and Kim Sun. “J Blues ’72” is really good, imho.

WHERE TO WHERE has seven songs, but they are also all very solid, including “Grass” (잔디), “What Am I Going to Do” (나라고 어찌하오), and the Music Power version of “Beautiful Rivers and Mountains.”

These releases are not perfect — the anglicizing of the song names is a little rough, for example. And Shin’s history in the liner notes is a tad credulous, and could have used a bit more rigor. But these are mostly quibbles, and overall the releases are great, a huge recommend for anyone interested at all in the music of the period.

The vinyl version of BEAUTIFUL RIVERS AND MOUNTAINS comes out Sept. 6, and the CD version will be released Sept. 24. WHERE TO WHERE will be available on Sept. 25.

And I just learned that another American label, Lion Productions, also has a couple of Korean rock albums on the way, including Kim Jung-mi’s NOW. Apparently Lion is going to similar lengths as Attic to get their releases just right, so this could be a great few months for fans of this amazing era in music.

© 2024 Mark James Russell

Theme by Anders NorenUp ↑