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Tag: Leonard Cohen

Death of a Ladies’ Man

ladiesman

I just heard that Leonard Cohen has died. I’m usually not one for mourning celebrities, but Leonard was a big one for me. I’ve been listening to his music pretty obsessively since high school, when I’m Your Man was a big hit back in 1988.

It took me a while to get the point of his music, to be honest. The Toronto radio and music-TV programs really flogged I’m Your Man when it came out, and I couldn’t understand what was so special about the old guy with the lousy voice and the sparse, synth production style. But there was a girl (of course) that I liked at the time who loved Leonard, so hanging out with her in the art room meant listening to his music. She alternated between I’m Your Man and The Best of Leonard Cohen, which I found more accessible. Gradually I became a fan.

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And not long after becoming a fan, I became a rather obsessive fan. I read and re-read The Favorite Game and Beautiful Losers. I bought every Leonard Cohen album I could find and listened to them all to death. I got all excited when his music turned up on movie soundtracks, like Pump Up the Volume and Natural Born Killers (or McCabe and Mrs. Miller). Finally, I crossed over to the dark side and learned to love Death of a Ladies’ Man. Even stranger—it became my favorite Leonard album.  And “Death of a Ladies’ Man” is still my favorite song (sadly, it doesn’t seem to be online anywhere).

I’m happy to say I was able to see him in concert twice over the years, once in 1993 in Philadelphia and again in 2009 in Barcelona. The Barcelona show was pretty amazing, as it was in a big arena with 15,000 people or so.

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Some other favorite Leonard-related notes:

  • After the Philadelphia concert, I managed to briefly meet him behind the concert hall. There were a hundred people or so waiting for him by the exit, but he left the building through a different doorway, right where I was standing, so I got to shake his hand and exchange a couple of words before he was mobbed.
  • Oh, and at the Philadelphia concert, he spent most of the show hunched over the microphone, stiff and tired-looking, like he was a broken down old man. But as soon as the concert was over, he skipped off the stage, full of life. It was just an affectation. Funny, though.
  •  My friend Carter set up a Usenet discussion board for Leonard, way back in 1994-ish. Pre-World Wide Web! (Well, almost)
  • Hanging out in the old Norihaneun Saramdeul bar in Shinchon with a friend and his new girlfriend who were tripping hard on LSD.  The bar was empty that night and it had a surprising good Leonard collection, so we started listening to one Leonard song after another. When the owner played “Where Is My Gypsy Wife Tonight,” my friend and the girl started laughing uncontrollably.


“Hallelujah” can kiss my ass, though. Wow, did people crush the life out of that song. Anyhow, at least his last album was really good. It’s nice to know he went out on such a strong note.

People often talk about how depressing Leonard’s music is, but I never felt that way. His mix of longing, beauty, religion and the profane always delighted me, and his lyrics were endlessly fascinating and meaningful. I’m going to miss him.

LC

Five Songs I Totally Remember the First Time I Heard

For me, it usually takes a while for me to decide how I feel about a song, and most of the songs I love the most I did not like much when I first heard them. Maybe because instant enjoyment tends to equal entertainment, while art takes time to understand. Or maybe I’m just difficult. Who knows?

That said, there are a few songs that are amazing and that I totally remember the first time I ever heard — the first one being  “The Girl From Ipanema.” It was on a Frank Sinatra TV special, and even though I was too young to know much about Sinatra, I was totally mesmerized by his version of that song — especially the lilting, syncopated phrasing that was so uniquely Sinatra’s.

Because this is the 50-year anniversary of “The Girl from Ipanema,” I thought I would write a quick list of the other songs that I similarly remember.

  • Girl from Ipanema“, the Frank Sinatra version. How frickin’ amazing is it that we live in a world where I can track down video of a half-remembered TV special watched when I was a kid?
  • “Take a Walk on the Wide Side”. I was sitting on the backyard patio one summer, when I was around 16 or 17, listening to the radio, when this song came on. I immediately called in the radio station to tell them I thought the song was brilliant and that they had a sure-fire hit. The annoyed deejay told me the song was 15 years old and already a classic. Erp.
  • “Smells Like Teen Spirit” – from Nirvana’s first Saturday Night Live appearance. I never listened to the band before that, but from the opening chords, I knew this was a band I wanted to hear more. They may have become a mainstream symbol of grunge and gotten overplayed, but that first listen for me was without marketing hype or anything like that. I just heard it and loved it.*
  • “Suzanne” by Leonard Cohen. Of course Leonard’s original is most important to me (I used to listen to the LC best-of collection in the art room in high school, together with the other art nerds). But Nina Simone’s jazz version is pretty awesome, too. As is Roberta Flack’s 10-minute magnum opus. Even Neil Diamond’s MOR version has its place. Here’s the Roberta Flack live version:
  • “Nae Maeume Judaneul Kkalgo” by Sanullim. (Aka, “Spread Silk on My Heart”). I’ve talked about the first time I heard that song before, over at the Korea Gig Guide. It was terribly late on a cold winter night in Hongdae, stumbling into a random bar with a couple of friends that turned out to specialize in classic rock, Korean and Western. And hearing that amazing opening bassline, thumping away, with a distorted lowfi guitar coming in on top. It’s the song that started my Korean classic rock fixation, and I still totally love it.

Oh, and here are a couple more versions of those songs. First, a great TV version of “The Girl From Ipanema” from the 1960s:

And Nina Simone singing “Suzanne” in Rome in 1969, in yet another totally different version:

* (Note: I don’t much like Nirvana anymore. But hearing that song for the first time was very memorable).

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