Category: Korean movies (Page 5 of 31)

The Korea disaster blockbuster HAEUNDAE washed ashore Canada last weekend. The general verdict — not bad, for a genre everybody already knows well. The biggest split were between those who considered HAEUNDAE’s head-slapping, plentiful-emoting ways to be refreshingly different or just ridiculous.

Here is the Toronto Sun review – 3/5 stars
The Globe and Mail review – 2/4 stars
The Toronto Star review – 2.5/4 stars
And the National Post review – 2 stars (out of 4, I presume, but am not 100% sure)

The averages out to 55.6%. Damn Canadians. I have not seen any information about when and where else HAEUNDAE might be coming, but if I do, I will let you know.

An interesting survey over at UNESCO’s Institute for Statistics about the number of films made around the world (found via Nikki Finke’s Deadline Hollywood Daily).

According to the survey, India is the top filmmaking nation in the world, with 1,091 films made in 2006, followed by Hollywood with 485 “major” productions”.

(Note: Nigeria would be second, with 872 films, but those films are all shot on video and designed for home viewing, as there are virtually no cinemas in Nigeria, so Nigeria is not counted in the official survey results. Not unfair, I think… If you were to include all the independent and student and amateur films made in the United States, films of comparable or better quality than most of the Nigerian films, I’m sure the United States would be in the thousands. But, still, it is interesting to realize how much filmmaking goes on in Africa and how even there, movies are not all about Hollywood.)

Very interesting to see how big a presence Asia had in the survey — an addition to India, Japan was third, China fourth and South Korea was ninth.

Not in the survey but similarly interesting is how much money is spend on movies in those countries, too. China is on track to spend over $700 million in theaters this year, and continues to grow substantially each year. Japan is about $2 billion/year. South Korea is around $1 billion. India is impossible to guess at (I have seen estimates ranging from a few hundred million dollars to well over a billion), but it is notable.

The European box office is still larger than Asia, mostly because of higher ticket prices. But that gap is narrowing every year. And with so many films being made over here, you can see Asia rising in importance. Which is, of course, why Hollywood has been trying to find partners and possibilities in Asia over the past few years.

I do not think this is a zero-sum competition, though. Almost every country has a demand to see films about its own culture in its own language. That is not going to disappear, no matter how many “tentpole” pictures and superheroes Hollywood creates. In fact, I think we are clearly seeing the limits of the Hollywood model. Yes, US major films can be incredibly popular all over the world, but they are not the be-all-and-end-all of moviemaking. Especially now that countries like Korea and Japan have learned from Hollywood and are making entertaining films of their own.

Which is (if I may market myself a moment) one of the major points of POP GOES KOREA. Entertainment globalization is not a one-way street, even if the United States is the biggest dog on the block and has, until now, been fairly dominant. People learn and systems evolve.

We have seen it in Luc Besson and his action film company in France. We have seen it in Korea, then Japan and increasingly in China. And I think in the future, we are going to see more and more examples. Not just in movies, but in all of entertainment.

Channel News Asia is reporting that North Korea is cracking down on foreign films after a university student was caught watching HAEUNDAE on his computer.

The student reportedly downloaded the film while at a relative’s house in Chongjin, in northeastern North Korea. He then took the film back to Pyongyang to watch with his dormitory friends.

North Korea has been awash in pop culture from South Korea for several years, something NK authorities have mostly ignored, much as it mostly ignored the many markets that had sprung up around the country. But recently the North’s government has started cracking down on those markets, so apparently South Korean pop culture has got to go, too.

Why is South Korean culture so dangerous to the North? Some, like Andrei Lankov, argue that seeing South Korea’s material prosperity makes the North look bad by comparison. Others, like Brian Myers, say the danger is in not in seeing the South’s material success (which most people in the North already know), but in seeing that South Koreans do not all yearn to be part of one united Korea, under the care of the North and Dear Leader. Whatever the reasoning, the effects are much the same.

On the other hand, this story claimed that South Korean pop culture has been losing its cache in the North for some time now, so maybe the crackdown is not such a big deal. But I suspect that story overstates the situation.

Anyhow, I do find it amusing that an illegal download of the blockbuster HAEUNDAE (now the fourth-biggest film of all time in Korea, with 11.4 million admissions) had the capacity to create so much trouble north of the DMZ.

Plenty of new films this week, but none of them did very good business, as the top four films were unchanged from last weekend.

TAKE OFF continues its strong run, pulling in another 5.79 billion won ($4.6 million), for a total of 38.06 billion won ($30.4 million). That is over 800,000 additional admissions, taking it well past the 5-million-attendance mark (5.35 million, actually), and making 6-million a certainty. The question is, how long will it last?

HAEUNDAE also passed a big milestone over the weekend, but in its case it was the 10-million mark — just the fifth film ever to do so in Korea. HAEUNDAE made 3.74 billion won last weekend to bring its total to 71.1 billion won ($56.9 million).

Even GI JOE is doing well still, adding another 1.86 billion won to lift its total to 16.66 billion won ($13.3 million). That makes Korea far and away the strongest international territory for GI JOE outside of the United States — the next-closest territory is Russia with $7.9 million.

The top new film this week was the Korean horror film YOGA HAGWON, opening in fifth with just 957 million won, or 1.34 billion won ($1.1 million) including Thursday.

PERFECT GETAWAY opened just in sixth. But I thought the film was a lot of fun. Totally recommend if you are looking for a good summer thriller.

Pixar’s UP fell to 12th, just nosing past the 1-million-attendance mark for 7.3 billion won — just about the same as RATATOUILLE and WALL-E.

(Source: KOBIS – Figures represent 98% of nationwide box office)

It somehow seems appropriate that, as I sign off on my last box office report, Korean films are currently sitting at 49.7 percent of the box office for the year. Pretty close to half. After all the downs and ups the Korean movie business has been through over the 13 years I have been here, it seems kind of cool to be leaving with things right in the middle.

Sorry this chart is so late (again). Too much work going on these days, I guess.

Topping the box office last weekend was the ski jump film TAKE OFF, with 6.61 billion won ($5.29 million). Oddly, that is by far the best weekend the film has had since it was released three weeks ago — it opened to 5.01 billion won, then dropped to 4.98 billion won the next week. I guess people are getting tired of HAEUNDAE, but still want to see something home-grown. Maybe the holiday and the nasty heat helped, too.

Anyhow, TAKE OFF has now made 28.27 billion won ($22.6 million) and pulled in 4.0 million admissions since it was released — a solid hit, with the potential to grow into something bigger. Topping 5-million admissions (as it seems sure to do) is always impressive.

HAEUNDAE may be slowing down, but it is still doing well — 7.23 billion won last weekend to bring its total to 64.4 billion won ($51.5 million). With 9.1 million admissions (including 865,000 last weekend), HAEUNDAE is now the fifth-biggest film ever in Korea, and certain to pass the 10-million mark.

GI JOE continues to do surprisingly well, with another 3.4 billion won last weekend, for a total of 13.2 billion won ($10.6 million).

ICE AGE 3 had a rather soft opening, with just 2.39 billion won over the weekend. PUBLIC ENEMY did even worse, with 1.54 billion won.

I do not know anything about the Korean film BULSIN JIOK, which opened in sixth. But there it is.

People must not have liked ONE MILLION at all, as it is dropping like a stone.

(Source: KOBIS – Figures represent 98% of nationwide box office)

A great case this weekend of how much stronger hit Korean films still are in Korea, even compared to the biggest Hollywood blockbusters. TRANSFORMERS: REVENGE OF THE FALLEN took about 48 days to become the biggest foreign film ever in Korea, with about 7.4 million admissions. HAEUNDAE beat that mark in just 18 days.

Yes, everybody’s favorite tsunami HAEUNDAE is still kicking butt in the theaters, taking in another 9.2 billion won ($7.5 million) over the weekend to bring its total to 53.0 billion won ($43.1 million). That is about 7.46 million admissions, making it the ninth-biggest movie ever in Korea and rising fast.

It looks certain to me that HAEUNDAE has the strength to top 9 million admissions and become the fifth-biggest Korean film ever. Even 10 million is pretty doable. But getting over 11-million and contesting with the big-four (SILMIDO, TAEGUKGI, THE KING AND THE CLOWN and THE HOST)? Possible, but much more difficult.

The Korean ski-jumping film TAKE OFF (Gukga Daepyo) landed in No. 2, with 5.5 billion won, to lift its total so far to 17.2 billion won ($14.0). So TAKE OFF looks like it is also a solid, if more middling, hit.

Very close behind is Lee Byung-hun’s Hollywood debut, the action blockbuster GI JOE, with 5.4 billion won over the weekend — or 7.1 billion won ($5.8 million), including Thursday and previews.

Surprisingly, I thought GI JOE was much less terrible than you might expect. In fact, I rather enjoyed myself (thanks in part to diminished expectations, but still…). A solid popcorn film for the lazy days of August.

The Survivor-meets-Battle-Royale film 10 OK (One Million) did not fare so well, opening only in fourth with 1.5 billion won. Or just 2.0 billion won ($1.6) since Thursday.

Pixar’s UP is doing about what you would expect in its second week — 1.4 billion won more for a total of 6.1 billion won ($5.0 million). It looks like yet another film will squeak past 1 million admissions (it is currently at 833,000), but not do much more.

The only other Korean film on the top-10 was CHAW, with added another 433 million won to bring its boxoffice to 12.3 billion won ($10 million).

KOFIC chart to come as soon as the nice people at the Film Council update their website.

UPDATE: Okay, here is the early-release chart up on the KOFIC site. The numbers do not match with my report yet. Hopefully I will be able to fix this is a couple of hours.

Happy day today — I just bought the great new DVD of Kim Ki-young’s THE HOUSEMAID.

THE HOUSEMAID (1960), of course, has long been recognized as one of the great films in Korean history. It is a crazy, claustrophobic tale of a family being terrorized by their housemaid. But describing the plot hardly begins to describe just how fun this movie is.

If you have seen THE HOUSEMAID before at one of its retrospective screenings, you know that it really needed some cleaning up. Much of the movie was faded, scratched, or had degraded in any number of ways.

The quality of the image is pristine mostly pristine (save for two reels, which were more damaged and are still rather poor), the sound is clear. It is great to see a Korean film getting such special treatment. If only the English subtitles were prepared as carefully as the rest of the film (they are okay, but the mistakes are careless and unnecessary). The essays in the booklet that accompanies the DVD are not very interesting or helpful… But I fear I am nitpicking. This DVD is a great restoration.

If you want to buy THE HOUSEMAID on DVD, you can get it at Kyobo Books or any number of online bookstores (like this one). It is totally worth it. Or, if you cannot find the DVD, you can always watch it online for free.

In its second weekend, HAEUNDAE has turned into an official blockbuster — the silly tsunami film brought in 11.3 billion won ($9.26 million) in its second weekend, to bring its total boxoffice to 34.0 billion won ($27.9 million). Most significantly, its second weekend boxoffice was a tick higher than its first, indicating that people liked what they saw and were spreading the good news.

The ski jumping film TAKE OFF (Gukga Daepyo) did not fare so well, making its debut in second with 5.0 billion won ($4.10 million), or 6.8 billion won including its early Wednesday opening. That is less than half the business of HAEUNDAE, despite appearing on nearly as many screens (886 vs. 762).

Pixar’s UP had a typically middling open, at least for a Pixar film in Korea. It opened in third with 2.2 billion won, for a total of 3.0 billion won ($2.5 million). Which I find kind of weird — whenever I see a Pixar film in Korea, it gets a great audience reaction. Not sure why that does not translate into more tickets.

FYI:
The Incredibles – $6.8 million
Cars – $3.0 million
Ratatouille – $6.9 million
Wall-E – $7.4 million

The latest Detective Conan film (a Japanese anime) had a decent opening, in fourth with 1.2 billion won, or 1.6 billion won since Thursday.

The Korean comic horror film CHAW added another 1.1 billion won to bring its three-week total to 11.0 billion won ($9.0 million).

HARRY POTTER AND THE HALF-BLOOD PRINCE dropped to sixth, adding 984 million won to bring its total to 19.3 billion won ($15.8 million). It looks like the latest HARRY POTTER will cross the 3-million-attendance mark, but barely.

TRANSFORMERS 2 is still on the chart, adding a tiny 246 million won to bring its huge haul to just over 50 billion won (50.4 billion won, or $41.3 million). South Korea is easily the third-biggest market in the world for the latest Transformers, behind only the United States and the United Kingdom.

The only other Korean film in the top 10 was LIFTING KING KONG (aka BRONZE MEDALIST, or Kingkongeul Deulda). It has now made 8.7 billion won.

The disaster epic HAEUNDAE opened strong last weekend, with 1.5 million admissions over the weekend, and 2 million including its Thursday opening. Not record-breaking numbers, but not bad.

HAEUNDAE is playing at the CGV Yongsan with English subtitles, incidentally.

Otherwise, nothing too amazing to report. HARRY POTTER is doing okay, with 2.5 million admissions over the past couple of weeks. Like the last few Potter films in Korea, it will top 3 million but not 4.

TRANSFORMERS: REVENGE OF THE FALLEN is poised to become the biggest foreign film ever in Korea, beating the first TRANSFORMERS. But not by much. Like most Hollywood blockbusters here, it just cannot sustain as long as the local hits do. Looks like the film should top 7.5 million admissions, but not 8 million.

UPDATE: The box office chart should get interesting for the next few weeks. Pixar’s UP opened already, on Wednesday. I’m interested in how it will do, as Pixar films usually struggle to pull in 1 million admissions in Korea.

And the week after UP is released, GI JOE hits the theaters, starring Korea’s own Lee Byung-hun.

Btw, also opening this weekend is the Japanese film FISH STORY. I saw it in Udine in April and quite enjoyed it. I doubt it will have English subtitles in the theaters, but if I hear otherwise, I will let you know.

Also, Cine 21’s website is saying NEW MOON, the Twilight sequel, will open in Korea on Dec. 10. This is apropo of nothing… I just thought some random Twilight comment might help boost my hits.

(Source: KOBIS – Figures represent 98% of nationwide box office)